I have mixed feelings about the WCG’s policy on what music was good and what music was not. Because it is almost impossible for me to deny that the WCG had a very strong influence on my musical tastes growing up – and that I would not have my deep appreciation for classical music and talent on the piano if it was not for the WCG. But I also have to think about whether it was worth it in the long run.
When I was a very young child we had a record album (remember those?) called “Heidy Ho”. It was just a bunch of songs sung by kids – you know, a 70s version of “kidz bop” or whatever they call it. One of the songs was “let the sun shine in”.
My mother thought that meant “let a demon in” and destroyed the record. Snapped in right in half.
So, moving on, my father worked at the company that made the “super trouper” spotlights. He wound transformers (oddly enough, he had no idea what they did or how they work, he just wound them. I guess he did a good job because you didn’t hear about spotlights failing). So when ABBA came out with the “Super Trouper” album, his workplace bought everyone a copy.
We played it a bit, just long enough for me to decide I liked the music, and then they decided it was too sexy and destroyed it. It’s really sad, because ABBA truly was a work of art. You really don’t get much more raw emotion than in “The Winner Takes It All”.
So we were allowed to listen to, basically:
- Anything on the young ambassador albums
- Anything at church
- Ummm.. Glenn Miller, Tommy Dorsey, etc. (YUCK!)
- Lawrence Welk
- Anything classical, but we had to find it ourselves
- Roger Whittaker
- Patti Page
Of course, this alienated me from the kids in school even more, something that was cemented in 6th grade when there was a “puttin’ on the kids” contest.
I did Cat Stevens “Morning has Broken”.
Oh yes, that really, really went over well. Kids were standing up and applauding, and they all came up to me afterwards, and the girls even flashed me. Well, I’m exaggerating a bit. As I remember, it was deathly silent in that auditorium.
And I didn’t even know why.
I liked Janet Jackson, and Michael Jackson, and Whitney Houston, and all of the famous artists of the time. But I never got to listen to them. No, it was all that fuddy-duddy music.
Oh, did I mention Lawrence Welk? Oh, yes, I did. What a creepy guy. The sad part is, my father would get angry if I would say anything against him. Sigh.
OK. But all that said, here’s the hypocritical part, and the part that simply makes me shake my head. Remember when I said all classical music was OK?
Do you know the history behind some of that classical music?
Womanizing, wonton sex (I hope I spelled that right and didn’t just say sex with a chinese delicacy), witchcraft, devilry, drugs. Have you ever looked at the story behind “Symphonie Fantastique”? Some of that stuff was downright ribald! But as long as there were no words, they’d look past it, because it sounded good and decent.
And you know what? That’s exactly their modus operandi. As long as it sounds good or looks good, no one would ever look underneath. “Bohemian Rhapsody” by Queen is probably more moral than Mozart’s Don Juan.
So then I reach my rebellious stage, and start to listen to 93-Q and KISS-FM. But I did it because it was the cool thing to do, and I only liked some of the music. But by that time I was so far out of the mainstream and so “uncool” it really didn’t matter.
Maybe some of those ABBA songs weren’t for young ears. OK, I can buy that. But not all pop music was bad. Not even all metal was bad. It was just… music. And all my parents and the WCG accomplished was alienating me further from my colleagues in school. And for what? For having me listen to music that was just as ribald or even worse – as long as it didn’t have words.
My father hated opera, btw. Too snooty for him. He actually hated the “rich”. But I’ll get into that some other time.
When you come right down to it, it was yet another way they tried to mold you into what they wanted rather than letting you be what you wanted to be.


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